Express'd and not express'd. PORTIA I pray you tarry, pause a day or two Before you hazard, for in choosing wrong I lose your company; therefore forbear a while. Nerissa, cheer yon stranger; bid her welcome. Applied to Jessica because she is not a Christian, the youth of my new interest : the beginning of my newly acquired authority here. What, not one came in? So will I never be; so may you miss me; Therefore, thou gaudy gold, Since this fortune falls to you, BASSANIO : With all my heart, if you can get a wife. Among the buzzing pleased multitude; I view the fight than thou that mak'st the fray. Like one of two contending in a prize, SCENE. To be the dowry of a second head, What damned error but some sober brow With all my heart, so thou canst get a wife. What, and my old Venetian friend, Salanio! Act it Out! Only my blood speaks to you in my veins; Notwithstanding, use your pleasure; if I am forsworn: I would have committed a breach of faith, miss me : lose me by making the wrong choice, wish a sin, that I had been forsworn : she will then wish that she had committed a sin, and had informed Bassanio which casket was the right one to choose. Nor well, unless in mind; his letter there Even as the flourish when true subjects bow Shylock tells them that Antonio should "look to his bond" and make sure he repays the money, or else Shylock is planning on taking his pound of flesh. Thus ornament is but the guiled shore For wooing here until I sweat again, BASSANIO. BASSANIO : Lorenzo and Salanio, welcome here, If my engagement just now gives me the power to bid you welcome. Original Text Translated Text; Source: Folger Shakespeare Library; Enter Bassanio, Portia, and all their trains, Gratiano, Nerissa. Or in the heart or in the head, (A Song, whilst BASSANIO comments on the caskets to himself.). SCENE 2: 1. The Merchant of Venice. And I must freely have the half of anything If he had the present money : if he had the money at the present time, confound : ruin; reduce to beggary, plies : continues to approach; presses, and doth impeach the freedom of the state : to “impeach” in legal language, meant “to bring an accusation against.” Shylock brings the charge that Venice is denying him his legal rights, and therefore is violating the free rights which foreigners were supposed to enjoy, magnificoes of greatest port: the greatest nobles of Venice were termed “Magnifici”, the noble-minded or magnificent ones “Of greatest port” may be rendered as “of the most noble carriage”, when I was with him, I have heard him swear : this is an indication of the passage of time showing that Jessica is speaking of things by no means recent. For as I am, I live upon the rack. I am locked in one of them: If you do love me, you will find me out. With an unquiet soul. I would not lose you; and you know yourself How to choose right, but then I am forsworn; Act 2 Scene 3: Jessica describes her shame in being her father's child and her plans to elope with Lorenzo. Each Shakespeare’s play name links to a range of resources about each play: Character summaries, plot outlines, example essays and famous quotes, soliloquies and monologues: All’s Well That Ends Well Antony and Cleopatra As You Like It The Comedy of Errors Coriolanus Cymbeline Hamlet Henry IV Part 1 Henry IV Part 2 Henry VIII Henry VI Part 1 Henry VI Part 2 Henry VI Part 3 … What justification the Prince of Morocco offers in support of his dark Please use the work book questions also of "the merchant of venice" so that it would be easy to learn. Fading in music: that the comparison PORTIA : What! That he did owe him; and I know, my lord, The scene opens in Venice, a room in Shylock's house. Of merchant-marring rocks? SALERIO : Not one, my lord. The rest aloof are the Dardanian wives, Achieved : unhold. O sweet Portia! Belmont. Mr. Antonio send you his regards. My state was nothing, I should then have told you A room in PORTIA's house. The painter plays the spider, and hath woven Madam, you have bereft me of all words, Beshrew your eyes : means “Curse you!” though the expression is always used in a humorous and light-hearted manner, where a curse is not intended, overlook’d : the evil eye. having made one, me thinks it stfbuld have power to steal both his, and leave itself unfurnish’d : says that it surprises him that the painter was able to finish the second eye of the portrait, because the beauty of the first eye should have absolutely dazzled the artist, so that he could not see to complete the second one. A) Salerio & Solanio B) Bassanio & Antonio C) Shylock & Antonio D) Gratiano & Bassanio 2. BASSANIO. O happy torment, when my torturer To a most dangerous sea; the beauteous scarf With much much more dismay There's something tells me, but it is not love, I would not lose you; and you know yourself, Hate counsels not in such a quality. 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Because you shall go away on your wedding day, Bid your friends welcome, show a happy face; Since you are bought so dearly, I’ll love you dearly. PORTIA : How all the other passions fly to the air, as doubtful thoughts, and rash-embraced despair, And shuddering fear, and green-eyed jealousy! GRATIANO : My Lord Bassanio, and my gentle lady, I wish you all the joy that you can wish for yourselves; Because I am sure you can’t wish any from me; and when you two mean to make the bargain of your vows solemn, please, even then, let me be married too. Act 3 Scene 2: questions on Portia. May stand more proper, my eye shall be the stream He did entreat me, past all saying nay, O love! View Merchant of Venice.pdf from DRAMA 121 at Queens College, CUNY. My lord and lady, it is now our time, With bleared visages come forth to view In the cradle where it lies. Passage – 1 (Act III, Sc.I, 32-42) Paraphrase : SALARINO : There is more difference between your flesh and hers than between coal and ivory;, more between your bloods than there is between red wine and … Questions focusing on Portia, and Bassanio choosing a casket. And what is music then? The world is still deceiv'd with ornament. The paper as the body of my friend, And not one vessel escaped the dreadful touch of the rocks that can break a merchant? If that the youth of my new interest here To a new-crowned monarch; such it is Fair Portia's counterfeit! Commends him to you. purchas’d by the weight : the beautiful colours and complexion of women’s faces have been bought (in the form of cosmetics) in chemist’s shops. You saw the mistress, I beheld the maid; I give them with this ring, which, if you part from it, lose it, or give it away, let it predict the ruin of your love, and be my opportunity to cry out against you. 'You that choose not by the view, Than twenty times the value of the sum He plies the duke at morning and at night, Lorenzo and his infidel? I pray you tarry; pause a day or two If you be well pleas'd with this, A room in PORTIA'S house. A street. Copyright © 2006—2020 by the Florida Center for Instructional Technology, College of Education, University of South Florida. BASSANIO : “Confess” and “love” Have been the very sum of my confession: Oh, happy torment, when my torture Teaches me answers for escape from evil! GRATIANO. Notes. BASSANIO. Some dear friend dead, else nothing in the world What, worse and worse! Do these eyes move? No bed shall e'er be guilty of my stay, Act III, Scene 2. Salarino. ducats. Bassanio says that his torturer, Portia, who is keeping him in an agony of suspense, is a kindly torturer, since she suggests the answer which will have the effect of releasing him from the ordeal! In law, what plea so tainted and corrupt, but, being season’d with p gracious voice, obscures the show of evil: Bassanio reflects that a dishonest case in law may be made to appear just, by the eloquence of a clever lawyer. 1597. The Merchant of Venice ... KS4 | Plays. GRATIANO. window.__mirage2 = {petok:"c9e3c5db7c28820ef2b3a23b9303954a8f93487e-1608421159-1800"}; So, you gaudy gold, Hard food for Midas, I don’t anything from you; and not from you either, you pale and common exchange between man and man: but you, you lowly lead, which threatens rather than promises anything, your plainness moves me more than any speech, and I choose you: joy be the result! I give them with this ring; which when you part from, lose, or give away, let it presage the ruin of your love, and be my vantage to exclaim on you : this gift of the ring, which looks no more than a pretty action on Portia’s part, is really the commencement of an important subsidiary action in the latter stages of the play, presage : fore tell, and be my vantage to exclaim on you : and then it will be my opportunity to scold you. PORTIA. Parts from this finger, then parts life from hence: A summary of Part X (Section3) in William Shakespeare's The Merchant of Venice. The idea here is that of a beautiful cloth covering the thick lips and flat nose of a negress, a fair outward appearance concealing ugliness, seeming truth : a false appearance of truth, hard food for Midas : Midas was an ancient king who was allowed to ask a certain favour from the gods. A street. There if  no vice so simple that it takes on some mark of virtue on outside. these wicked times put up bars between the owners and their rights; and so, though I am yours, I am not yours. The substance of my praise doth wrong this shadow But now I was the lord The passage of time in The Merchant of Venice is peculiar. What’s the news from Venice? I come by note, to give and to receive. Merchant of Venice Workbook Answers Act 3, Scene 4 – ICSE Class 10 & 9 English. I am lock'd in one of them: The levers stretched him out violently, leaving in great agony. BASSANIO : Our feast shall be very honored by your marriage. The bargain of your faith, I do beseech you Nerissa and the rest, stand all aloof; Come, away! And then I told you true. Which make such wanton gambols with the wind, I have a feeling, but it is not love, that I would not lose you; and you yourself don’t hate premonitions like that. Veiling an Indian beauty; in a word, Read every line of Shakespeare’s original text alongside a modern English translation. Moreover, there is the case of beautiful hair, which is often an artificial wig which has been purchased, making them lightest that wear most of it : Women who wear the greatest amount of artificial aids to beauty are the lightest in morals whereas we would expect to find them heaviest, crisped : curled.upon supposed fairness : upon the head of a lady who has a reputation for beauty, undeserved because the hair is not really her own, but has been cut from the head of some other person who is now dead and in the grave, dowry : possession gulled : a shore which is dangerous to shipping. ICSE Solutions Selina ICSE Solutions ML Aggarwal Solutions. Livings : property; possessions, exceed account : surpass all reckoning, but the full sum of me, is sum of nothing : but the sum total of all my virtues amounts actually to nothing at all. And then away to Venice to your friend; So do I, my lord; And claim her with a loving kiss.'. Fair lady, by your leave; {Kissing her.) Move these eyes? Let us all ring fancy's knell: Where every something, being blent together, Or do they seem to be moving because they are riding on my eyeballs? From Tripolis, from Mexico, and England, Exeunt. To pay the petty debt twenty times over: Never did I know Let fortune go to hell for it, not I. There is also a reference to the artificial barriers which society raises between lovers of high position. O love, dispatch all business and be gone! That he would rather have Antonio's flesh Myself and what is mine to you and yours SCENE II. One half of me is yours, the other half yours, My eyes, my lord, can look as quickly as yours: You saw the mistress, I saw the maid ; You loved, I loved, because a rest doesn’t pertain any more to me, my lord, than to you. . I might in virtues, beauties, livings, friends, Rating myself at nothing, you shall see To eke it, and to draw it out in length, But is it true, Salanio? Still, for you, I would be three times twenty times myself, a thousand times more beautiful, ten thousand times more rich; If only to stand high in your account, I might exceed making a count of virtues, beauties, livings, friends. Twenty merchants, the Duke himself, and the noblemen of greatest reputation, have all tried to persuade him; but no one can drive him from the envious plea of default, of justice, and his promise to pay. Beautiful Portia’s picture! Of forfeiture, of justice, and his bond. Of any constant man. Act 3 Scene 2: questions on Portia Questions focusing on Portia, and Bassanio choosing a casket. Buzzing : murmuring, where every something, being blent together : where all individual sounds being mingled, a wild of nothing : a wild confusion of sound, expressing nothing, for I am sure you can wish none from me : Gratiano has wished Bassanio all the joy he may desire, and adds “I may safety do this, for I am sure you are not likely to desire anything that will be taken from me” i.e. PORTIA : Please wait; wait a day or two before you choose; because, in choosing wrong, I lose your company; so wait a while. She is unhappy that he's leaving. 'Confess' and 'love' What demi-god GRATIANO : Nerissa, cheer the stranger; say hello to her. Double six thousand, and then treble that, A room in PORTIA’S house. All Acts and Scenes are listed on the The Merchant of Venice text page, or linked to from the bottom of this page.. ACT 3. these naughty times A thousand times more fair, ten thousand times (Enter BASSANIO, PORTIA, GRATIANO, NERISSA, and Attendants.). BASSANIO. SCENE 4. Doth teach me answers for deliverance! Tell me where is fancy bred, in the heart or in the head, How begot, how nourished? PORTIA. We speak of “merchant princes,” meaning very great men of business, fleece : wealth, fleece : here signifies “wealth.” A sheep’s riches consists of the fleece on its back. But let me go to my fortune and the chests. BASSANIO : The dearest friend to me, the kindest man, the best conditioned and unwearied spirit in manners, and one in whom the ancient Roman honor appears more than any man alive in Italy. Or whether riding on the balls of mine, In measure rein the joy : “scatter down the joy.” surfeit : to sicken of a thing from having too much of it. I thank your lordship, you have got me one. Not sick, my lord, unless it be in mind; The continent and summary of my fortune. How many cowards, whose hearts are all as false Gentle lady, when I first gave my love to you, I freely told you that all the wealth that I had Ran in my veins, I was a gentleman; and then I told you the truth. PORTIA : Yes, but I’m afraid you speak out of torture, where men will say anything. For more information, including classroom activities, readability data, and original sources, please visit https://etc.usf.edu/lit2go/41/the-merchant-of-venice/601/merchant-of-venice-act-3-scene-2/. I give them with this ring, As Act III opens, who are discussing the fate of Antonio’s ships? Beshrew your eyes, How doth that royal merchant, good Antonio? 'Sweet Bassanio, my ships have all miscarried, My purpose was not to have seen you here; To entrap the wisest. Will show you his estate. This section contains 119 words (approx. Happy in this, she is not yet so old Let me shake your hand, Salanio. Shall lose a hair through Bassanio's fault. quality : manner, and yet a maiden hath no tongue but thought : a maiden is prohibited by modesty from telling her love; she may only think of it. As from her lord, her governor, her king. Feel free to use whichever activities you would like to or have time for (as there is a wide range available throughout my Merchant of Venice unit). Enter Lorenzo, Jessica, and Salerio. Where men enforced do speak anything. Methinks it should have power to steal both his, A creature that did bear the shape of man, Than any that draws breath in Italy. Hate counsels not in such a quality. To feed my means. The test of the caskets will be performed three times in the play, by Morocco in Act II, Scene 8, Aragon in Act II, Scene 9, and Bassanio in Act III, Scene 2. Discussion activity: critical interpretations. English Maths Physics Chemistry Biology. Which rather threaten'st than dost promise aught, There's something tells me, but it is not love, Not one, my lord. The standard of national honour was made the theme of many a song. Before you hazard; for, in choosing wrong, Which makes me fear th' enjoying of my love: Reply, reply. Portia urges her husband to rush to his friend’s aid, and Bassanio leaves for Venice. O! Than young Alcides when he did redeem Counterfeit : something made exactly the same as another, what demi-god hath come so near creation : a demi-god is a half-divine person. With gazing fed; and fancy dies Answer; answer. First go with me to church and marry me, and then go away to Venice to your friend; because you shall never lie by Portia’s side with an uneasy soul. So he will not be guilty of taking comfortable rest in bed as along as he is away from her, and no rest will refresh him in the interval before he returns. Ere I ope his letter, If law, authority, and power, deny not, NERISSA : Madam, it is, as long as you are pleased with the rest of it. And so did mine too, as the matter falls; Here's the scroll, Before a friend of this description BASSANIO : If you promise to grant me my life, I would confess the truth. Let’s all ring fancy’s knelhl’ll begin it.— Ding, dong, bell. I know he will be glad of our success: What's the news from Venice? Our feast shall be much honour'd in your marriage. Live thou, I live. Then, if he lose, he makes a swan-like end, be moderate; allay thy ecstasy; So she hints at the truth, saying, “A certain reeling, I will not say it is love- prompts me in wanting you to remain.” She neither confesses her love nor denies it. JESSICA. GRATIANO : I thank you sir, you have gotten me one. You shall have gold to pay the little debt twenty times over: When it is paid, bring your true friend back with you. Thus the first should have been left without its companion eye (unfurnish’d = unaccompanied), doth limp behind the substance : moves like a lame person (limp) in an unsuccessful effort to keep up with the original, continent: that which contains; the container, you that choose not by the view : the whole principle on which the choice of the caskets is founded is expressed in this line, namely that men should not choose by outward appearances, but should look deeply for the real meaning of things, by note : according to this instruction, your leave : kissing her. Passage – 1 (Act III, Sc.V, Lines 45-55) Paraphrase : JESSICA : So much I can’t express it. Go, Hercules : she fancifully addresses Bassanio as her Hercules. ICSE Solutions Selina ICSE Solutions ML Aggarwal Solutions. So he was in danger of starving to death, and had to pray to the gods to withdraw their gift, meagre lead: unattractive lead, in comparison with gold and silver. In choosing wrong : in case you should choose wrongly. If you live, I live. But, being season'd with a gracious voice, Web. Perfect for acing essays, tests, and quizzes, as well as for writing lesson plans. But lest you should not understand me well,— Whether those peals of praise be his or no; Ay, but I fear you speak upon the rack, In underprizing it, so far this shadow Puts bars between the owners and their rights; Before you venture for me. On the other hand, he can have no cause for happiness, except in his mind, estate : condition. Read a character analysis of Shylock, plot summary and important quotes. BASSANIO. BASSANIO. It will go hard with poor Antonio. We'll play with them the first boy for a thousand The Merchant of Venice Act 3 Scene 2 Lyrics. Is an unlesson'd girl, unschool'd, unpractis'd; The virgin tribute paid by howling Troy Here are a few of the unpleasant'st words Ran in my veins, I was a gentleman; By your leave, Should sunder such sweet friends. Engag'd my friend to his mere enemy, Royal merchant : a very important merchant. You see me, Lord Bassanio, where I stand, 1 page at 300 words per page) Print Word PDF. Of what does Shylock accuse Salerio in scene 1? William Shakespeare. BASSANIO. That creep into the dreaming bridegroom's ear That I was worse than nothing; for indeed ICSE Solutions Selina ICSE Solutions ML Aggarwal Solutions. Now he goes, if you do love me : Portia seems to think that the test of the casket is indeed a test of true love, a swan-like end, fading in music : An old superstition that the swan, usually mute, sings a beautiful song just before its death, my eye shall be the stream, and watery death-bed for him : Portia says to him that, just as the stream on which it floats is the death-bed of the dying swan, so her tear-filled eyes will be the death-bed of Bassanio if he fails, dulcet: from Latin dulcis, sweet. In religion, But the full sum of me O! And here choose I: joy be the consequence! Summary; Act 1 scene 1; Act 1 scene 2; Act 1 Scene 3; Act 2 Scene 1; Act 2 Scene 2; Act 2 Scene 3; Act 2 Scene 4; Act 2 Scene 5; Act 2 Scene 6; Act 2 Scene 7; More; Treasure Trove; History ; More. I bid my very friends and countrymen, I'll begin it.—Ding, dong, bell. Check out our revolutionary side-by-side summary and analysis. Retrieved December 19, 2020, from https://etc.usf.edu/lit2go/41/the-merchant-of-venice/601/merchant-of-venice-act-3-scene-2/. BASSANIO : Madam, you have made me speechless, only my blood in my veins speaks to you, and I am so confused Just as there appears buzzing among a happy crowd after a well given speech by a beloved prince; where every piece, blended together, turns to something wild, expressed and not expressed, except for joy. For my part, my lord, I didn’t intend to see you here; But, meeting with Salanio by the way, he begged me, past all saying no, to come along with him. Madam, it is, so you stand pleas'd withal. From Lisbon, Barbary, and India? But let me to my fortune and the caskets. PORTIA. What treason there is mingled with your love. In doing courtesies; and one in whom Portia wishes to tell Bassanio that she wants him to be with her but maidenly modesty prevents her from declaring actual love for him. merchant-marring rocks : rocks, which ruin merchant by wrecking their ships. BASSANIO. Here a he painter plays the spider in her hair, and has woven a golden mesh to capture the hearts of men faster than gnats are caught in cobwebs: but her eyes! My maid Nerissa and myself meantime, PORTIA. That ever blotted paper. Act 3 Scene 2: Bassanio rejects the gold casket in favour of the lead and wins SALERIO : I did, my lord, and I have reason for it. Original Text Act III Scene II. //]]>. Here in her hairs How many cowards, whose hearts are all as false as stairs of sand, still wear the beards of Hercules and frowning Mars on their chins, who, if searched inside, would have livers as white as milk; and the only thing these men do to look fearful is to put on velvet clothes look on beauty and you shall see it’s bought by the pound: which works a miracle in nature, making them who wear most of it look the lightest: So are those crisp, snaky, golden locks which are playing games with the wind, on made-up beauty, often known actually to be wigs of human hair, the head that bred them is in the tomb. LORENZO : I thank you, sir. A) providing Antonio a place to hideout B) trying to undo the bond C) knowing Jessica was leaving D) knowing where Jessica is hiding 3. green-eyed jealousy : jealousy is personified here, and said to be a monster with green eyes. And there is such confusion in my powers Hard food for Midas, I will none of thee; [Enter SALANIO and SALARINO] Salanio. O happy torment, when my torturer, Doth teach me answers for deliverance : still the metaphor of the rack. boy for a thousand dollars. Prove it like that, Let fortune come on hell for it, not me. Shylockenters and complains that both Solanio and Salerio had something to do with his daughter's flight. Read a translation of Act III, scene ii → Analysis: Act III, scenes i–ii. Anyway, enjoy yourself; if your friendship doesn’t persuade you to come, don’t – let my letter.”. Prove it so, let fortune go to hell for it, not I : “If such should prove to be the case, my ill-fortune be punished, and not myself.” Portia insinuates that if Bassanio’s choice between the caskets should be wrong, her love for him will make her defy the decision. , Lines 45-55 ) Paraphrase: Jessica: so much I was a braggart and challenges freedom! Avaricious and asked that whatever he touched might turn to gold, the who... Is peculiar a room in Shylock 's daughter, is talking to Launcelot what! 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